Play Along Piano

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counterpoint

J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor

sjforman

2:54	Est. Play Time
87	Measures
	2,284Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	0	4	8	99%
	30	0	5	5	46%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	4	8	99%
	30	5	5	46%
Soprano	19	2	7	99%
Alto	26	3	8	50%
Bass	30	5	5	46%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	0	3	5	69%
	16	0	3	6	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	3	5	69%
	16	3	6	100%
	8	1	3	45%
Cello	16	3	5	100%
Violin	22	7	3	94%
	16	3	4	94%
Viola	13	2	5	94%
Alto	8	2	3	45%
Bass	14	1	3	45%
Soprano	7	1	5	45%
Tenor	8	1	3	45%

J. S. Bach: Ich elender Mensch (BWV 48, #1)

BSG

6:54	Est. Play Time
139	Measures
	2,205Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	26	0	9	3	100%
Vc/Cb	26	0	9	3	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	26	9	3	100%
Vc/Cb	26	9	3	100%
Viola	21	8	4	92%
Violin 1	27	9	4	92%
Violin 2	19	6	4	92%
Soprano	19	6	6	52%
Tenor	20	7	5	51%
Alto	19	6	6	48%
Bass	18	6	6	47%
C Trumpet	9	1	5	31%
2 Oboi	9	2	5	30%

Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version

penne vodka

4:41	Est. Play Time
94	Measures
	2,285Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	23	22	7	5	97%
Violas	24	23	7	6	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	23	22	7	5	97%
Violas	24	23	7	6	96%
Violins I	29	8	8	5	81%
Bassoons	29	17	9	4	75%
Violoncellos	20	0	6	6	72%
Oboes	21	18	6	6	68%
Clarinets in B♭	24	23	7	6	63%
Contrabasses	20	0	6	6	60%
Flutes	28	25	9	6	58%
Horns in F	17	16	4	7	33%
	19	17	5	7	48%
Timpani	3	0	0	5	24%
Trumpets in B♭	15	13	2	3	21%

Be Thou My Vision Small Orchestra

Threespot@aol.com

2:33	Est. Play Time
102	Measures
	1,214Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	40	4	6	46%
	15	18	1	5	55%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	40	4	6	46%
	15	18	1	5	55%
Strings, String Ensemble Hard	19	9	1	7	92%
Oboe, Oboe	10	0	0	9	60%
Timpani, Timpani	15	0	2	6	56%
B♭ Clarinet	14	0	1	7	51%
Horn in F	13	0	1	7	51%
Violins, String Ensemble	14	0	0	4	22%
	10	0	0	9	46%
Flute	14	0	0	7	30%
Violoncellos, String Ensemble	18	21	2	4	23%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

10:12	Est. Play Time
127	Measures
	3,611Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB	27	0	9	7	100%
Org e cto	27	0	9	7	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB	27	0	9	7	100%
Org e cto	27	0	9	7	100%
Vcl/Cb	27	0	9	7	100%
Ob. da Cacc.	25	2	10	7	98%
Flute	22	1	9	7	90%
Bassoon	24	0	8	7	88%
Viola	26	0	10	6	88%
Violin 2	25	0	11	7	85%
Violin 1	24	0	8	7	84%
Tenor	19	0	7	6	72%
Alto	21	0	8	6	67%
Bass	21	0	8	7	62%
Soprano 1	22	0	8	6	61%
Soprano 2	20	3	8	6	53%
Church Organ	10	0	4	3	2%

J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1

BSG

4:58	Est. Play Time
74	Measures
	1,502Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	25	0	9	7	99%
Contrabass	25	0	9	7	99%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	25	9	7	99%
Contrabass	25	9	7	99%
Violin 2	20	6	5	89%
Viola	23	8	5	88%
Violin 1	20	7	6	86%
Alto	16	6	5	85%
Bass	18	6	8	84%
Tenor	18	6	6	84%
Soprano	17	6	7	81%
Tenor Trombone	12	3	4	28%
	12	3	5	28%
Bass Trombone	14	4	6	28%
C Trumpet	8	0	4	28%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)

BSG

7:34	Est. Play Time
106	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	16	5	5	100%
Pan Flute	20	8	6	99%
C Trumpet	12	2	3	36%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	16	5	5	100%
Pan Flute	20	8	6	99%
C Trumpet	12	2	3	36%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	24	80	8	6	85%
	21	0	6	6	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	24	80	8	6	85%
	21	0	6	6	100%
CB	21	0	6	6	100%
Vcl	21	0	6	6	100%
Viola	20	0	7	7	100%
Vn 1	23	0	9	8	100%
Vn 2	20	0	6	6	100%
Flute	27	0	10	10	99%
Bass	18	0	6	6	49%
Sop	16	0	5	6	49%
Alto	16	0	5	5	48%
Ten	12	0	2	5	42%
Tenor Trombone	12	0	2	6	42%

The Emptiness In-Between

dmutters

5:24	Est. Play Time
119	Measures
	1,533Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	17	9	8	85%
	15	0	3	3	90%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	17	9	8	85%
	15	0	3	3	90%
	21	33	6	5	88%
Bass Guitar	22	30	6	6	60%
Electric Guitar	26	36	8	9	59%
12-string Guitar	28	33	3	7	55%
Tenor/Bass	12	0	2	6	41%
Soprano/Alto	10	0	2	6	38%
Lead Vocals	10	0	2	6	32%

G. Ligeti - Musica Ricercata XI

intasei

3:58	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	0	4	1	5%
	54	50	32	6	79%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	0	4	1	5%
	54	50	32	6	79%
	46	15	22	5	44%
	73	33	41	5	91%
	11	0	4	2	5%